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The Venere Lute Quartet
From left: Douglas Freundlich, Christopher Morrongiello
Gail Gillispie and Phillip Rukavina

For individual biographies of the VLQ,
click on the member in the above photo.

 

"A quartet of lutes opens up a host of exciting possibilities for harmony, intricate rhythms, counterpoint, and syncopation..."

Beth Adelma, Early Music America

 

The Venere Lute Quartet is named after the Italian Renaissance luthier Vendelio Venere, who (like Stradivarius) was regarded among the finest luthiers of his age. The exquisitely crafted "family" of Renaissance lutes on which the Quartet performs are all strung in gut and are modeled after instruments from Venere's workshop by luthiers Grant Tomlinson, Joel van Lennep, and Lawrence K. Brown. Sized according to Pythagorean proportions, instrument makers and musicians of the Renaissance were highly influenced by the ideas attributed to Pythagoras and the belief that the "symphony" of sounding numbers in music expressed the orderly workings of the universe. Indeed, for many humanists of the Renaissance, the harmony of the universe was most clearly revealed in the well-tuned, well-played strings of the lute.

For more information or bookings contact:

Doug Freundlich
dafreund@fas.harvard.edu
781-648-3873

 

Douglas Freundlich's biography Gail Gillispie's biography Phillip Rukavina's biography Christopher Morrongiello's biography Gail Gillispie's biography Christopher Morrongiello's biography